https://stelladiedenrichter.com/mobil
2025-04-01T10:58:39+00:00
always
0.5
https://stelladiedenrichter.com/(mobil)-contact
2025-06-18T14:04:51+00:00
always
0.5
https://stelladiedenrichter.com/(mobil)-cv
2026-02-26T08:56:49+00:00
always
0.5
https://stelladiedenrichter.com/(mobil)-håll-mig-våt:-delad
2025-11-20T11:37:31+00:00
always
0.5
https://freight.cargo.site/t/original/i/I1693383879863565805802407443527/IMG_0780.jpg
https://freight.cargo.site/t/original/i/C1693383879845119061728697891911/IMG_0621.jpg
https://freight.cargo.site/t/original/i/L1693422924260518963513067420743/IMG_1273-2.jpg
<span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.69;"><i><br />
<b></b></i><i><b>Keep me wet: parted </b>/ Håll mig våt: delad</i>
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<br />120 x 80 cm, 2020 <br />mud, epoxy, tarp, cold asphalt and sand<br />
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I treat a piece of tarp with cold asphalt and sand, to place a wet pile of mud on top, and run over it with a car. As the imprint dries, the mud hardens and cracks. Finally, I apply liquid plastic to preserve the moment when the mud is separated from it’s whole. The
piece has been made in several versions, and this one was exhibited at Liljevalchs Vårsalong in Stockholm, 2023.</span>
https://stelladiedenrichter.com/(mobil)-håll-mig-våt:-delad-(akt)
2025-11-20T10:28:14+00:00
always
0.5
https://freight.cargo.site/t/original/i/M1693447602665228909551700786247/Untitled-2.jpg
https://freight.cargo.site/t/original/i/M1693447602683675653625410337863/Untitled-3.jpg
https://freight.cargo.site/t/original/i/I1693455416798252253286313081927/Untitled-6-vinklad.jpg
https://freight.cargo.site/t/original/i/R1693465952121174374359141563463/P2240349-copy-2.jpg
<span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.69;"><i></i><i><b><br />
Keep me wet: parted </b>/ Håll mig våt: delad</i><br />
performance, 30 min, 2020<br />
<br /> This project explores the encounter between the car and the mud. I gather a pile of wet mud and drive over it; the mud gives way and the pile splits apart. The performance acts as a starting point for a further process where I perpetuate the remaining track. Performed during group exhibition <i>Sex Cave</i> at Galleri Konstepidemin, Gothenburg.</span>
https://stelladiedenrichter.com/(mobil)-kulturprofilerna
2025-11-20T11:47:06+00:00
always
0.5
https://freight.cargo.site/t/original/i/B1693356697534708782576656825415/Kulturprofilerna Live, Snotty Seaside, kort version 2
https://freight.cargo.site/t/original/i/B1693363760793014605963970591815/kulturprofilerna.jpg
https://freight.cargo.site/t/original/i/P1693366190948632132386590932039/RAW04476.jpg
https://freight.cargo.site/t/original/i/G2657579624079321436046740536391/RAW04526.jpg
https://freight.cargo.site/t/original/i/Z2657601277568491431119390358599/RAW04140.jpg
https://freight.cargo.site/t/original/i/M2657601277586938175193099910215/RAW04373.jpg
https://freight.cargo.site/t/original/i/Q2657601277550044687045680806983/RAW03919.jpg
https://stelladiedenrichter.com/(mobil)-när-rutin-blir-ritual
2025-11-20T10:23:29+00:00
always
0.5
https://freight.cargo.site/t/original/i/C1693340284783976872461330660423/IMG_0051.jpg
https://freight.cargo.site/t/original/i/J1693349940713715511652414504007/IMG_0088.jpg
https://freight.cargo.site/t/original/i/K1693661441196347606153039297607/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_07.jpg
Holy Fluff, Supermarket, 2022. Photo: José Figueroa and volunteer <br />
<br />
<span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.7;"><i><br /><b>When routine becomes ritual </b>/ När rutin blir ritual
</i> <br />performance, 45 min, 2021<br /><br /> This is a performance in three acts where I portray myself and a door as object and subject respectively.<br />
<br /> In the first act I lie down next to the door to perform a back somersault. Faceing down, I do a slow rise for 20 minutes; I push my body up from the floor to standing
position, after which the clothes expose parts of my body. By slowing down my normal speed, hiding my face and letting my
clothes expose my body, I try to steer away from the reading of me as a subject. In the second act, I smear the door surfaces
and parts with Vaseline, and leave it lying on the floor.<br />
<br />
<br />
<br /></span><div style="text-align: center"><span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.7;"><a href="(mobil)-är-man-först-ren" rel="history">Previous</a> / <a href="(mobil)-kulturprofilerna" rel="history">Next</a></span></div><br />
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https://freight.cargo.site/t/original/i/S1693661441159454118005620194375/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_05.jpg
https://freight.cargo.site/t/original/i/U1693661441122560629858201091143/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_03.jpg
https://freight.cargo.site/t/original/i/H1693661441030326909489653333063/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_01.jpg
https://freight.cargo.site/t/original/i/W1693661441141007373931910642759/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_04.jpg
https://stelladiedenrichter.com/(mobil)-är-man-först-ren
2025-11-20T10:22:45+00:00
always
0.5
https://freight.cargo.site/t/original/i/O1693593218606615626137982057543/Är man först ren - i taxin
https://freight.cargo.site/t/original/i/P1693605610206947140529280105543/Ar-man-forst-ren.jpg
<span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.69;"><b><br /><br />
<br />
<i>Är man först ren</i>
</b><br />
text, 2021<br />
<br />
A poem about caressing the floor, drinking an old glass of water, skin absorbing lotion and a question
whether we were first clean
and then filthy or the other way around. As a contribution to the livestream <i>Beuys, beuys, beuys</i>, the poem was read aloud three times via phone call; from inside a taxi, a wardrobe, and a taxi again. The
voice went straight into the live stream, and with a delay
of a few seconds through speakers out into the recording room.</span><br /><br />
<br />
<span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.69;"> Excerpt from livestream</span>
https://stelladiedenrichter.com/(mobil)-en-ansträngning,-flera-suckar
2025-11-20T10:18:13+00:00
always
0.5
https://freight.cargo.site/t/original/i/D1693324945006560753735783791687/En ansträngning, flera suckar TRAILER
https://freight.cargo.site/t/original/i/E2355317692166081834249979542599/Screenshot-2024-04-08-at-17.49.30.jpg
https://freight.cargo.site/t/original/i/E2355318094378889617413042977863/Skarmavbild-2022-07-27-kl.-16.42.14.jpg
<span style="color: rgba(8, 0, 0, 0.6); --font-scale: 1.69;"><span style="color: rgba(0, 0, 0, 0.75);"> <br />
<b><i>One effort, many sighs</i></b> / <i>En ansträngning, flera suckar</i> <br />
<br />
video, 21 min, 2022<br /><br />
This project is inspired by human effort when building on unstable ground. Excavating mud creates movement, while attempts to stabilize and prevent mudslides often worsen the problems we aim to solve. <br /><br />The video shows a group shaping bricks using a segmented wooden frame. As the group forces mud into uniform shapes, the rigid dynamics of production emerge, revealing tensions between labor, constraints, and mud’s unpredictability. The act is repeated until all the mud is shaped.<br />
<br />photo: Niels Engström, Caio Marques de Oliveira<br />edit: Stella Dieden Richter<br />participants: Johanna Bjurström, Elmer Blåvarg, Sofia Romberg, Andreas Widoff, Andrea Larsson, Stella Dieden Richter<br />
<br />
Trailer 2 min<br />
<br /></span></span>
https://freight.cargo.site/t/original/i/Z2355318664807556608733507599431/4.jpg
https://stelladiedenrichter.com/(mobil)-asics
2025-11-20T10:16:01+00:00
always
0.5
https://freight.cargo.site/t/original/i/J1708244943075662827792566172743/bild-5.jpg
<i> Rundgång</i>, Royal Institute of Art, 2022. Photo: Niels Engström<br />
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<span style="--font-scale: 1.69;"><span style="color: rgba(8, 0, 0, 0.6);"><i><b>ASICS</b></i> <br />
performance, 10 min, 2022<br />
<br /></span><span style="color: rgba(0, 0, 0, 0.75);">Running shoes make the body light and bouncy against hard surfaces. Here, the dynamic is reversed
—the shoes take control, dictating the body’s movements as they wrestle and caress each other. A rubber sole drags
against another, generating sluggish friction that builds tension throughout the body. The
sneakers give vent to a relationship, while the body navigates a choreography balancing
resistance and fluidity.</span><br /><br /><br />
<span style="color: rgba(8, 0, 0, 0.39);"> Excerpt (2 min)</span></span><br />
<br />
https://freight.cargo.site/t/original/i/K1708244943112556315939985275975/bild-9.jpg
https://freight.cargo.site/t/original/i/O1708244943057216083718856621127/bild-4.jpg
https://freight.cargo.site/t/original/i/W1708244943038769339645147069511/bild-3.jpg
https://freight.cargo.site/t/original/i/H2054012362062283696641630649415/Caios-film.mov
<span style="color: rgba(8, 0, 0, 0.39);"><i> Reclaim Pride</i>, <span style="color: rgba(8, 0, 0, 0.39);"> Hägerstens Medborgarhus, 2024</span>. Photo: Caio Marques de Oliveira</span> <br />
https://stelladiedenrichter.com/(mobil)-trickler
2025-11-20T10:14:33+00:00
always
0.5
https://freight.cargo.site/t/original/i/P1687215703826186198722895264839/b6.jpg
<span style="color: rgba(0, 0, 0, 0.75);"><i><b><br /></b></i><i><b><span style="--font-scale: 1.47;"></span></b></i></span><span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.69;"><i><b>ASICS - trickler</b></i> <br />performance, 30 min, 2023<br />
<br />
A performance for Kunst på Ruinen; a one-day event taking place in the surroundings of a drained lake, before the
pumps were turned on to restore the lake and water would seep back. <br /><br />I place myself on a ruin wall beside the lake and slowly pull my body forward. The wall shifts in levels, and
with each rise, I bend to lick myself ahead. The slow movement holds the body in exertion, mirroring the ground’s
gradual change and dissolution.</span>
https://freight.cargo.site/t/original/i/C2034522817790703193075398065223/trickler (trailer)
<span style="color: rgba(0, 0, 0, 0.75);"><i><b><br /></b></i><i><b><span style="--font-scale: 1.47;"></span></b></i></span><span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.69;"><i><b>ASICS - trickler</b></i> <br />performance, 30 min, 2023<br />
<br />
A performance for Kunst på Ruinen; a one-day event taking place in the surroundings of a drained lake, before the
pumps were turned on to restore the lake and water would seep back. <br /><br />I place myself on a ruin wall beside the lake and slowly pull my body forward. The wall shifts in levels, and
with each rise, I bend to lick myself ahead. The slow movement holds the body in exertion, mirroring the ground’s
gradual change and dissolution.</span>
https://stelladiedenrichter.com/(mobil)-närmre-brottet
2025-11-20T10:10:52+00:00
always
0.5
https://freight.cargo.site/t/original/i/Z1687250333529900892189952949319/image00002.jpg
https://freight.cargo.site/t/original/i/V1687250333511454148116243397703/image00001.jpg
https://freight.cargo.site/t/original/i/I1687250907979958091579099823175/image00008.jpg
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.18;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.18;"> Installation view during Bachelors’ Show, Royal Institute of Art, Stockholm. Photo: Jean-Baptiste Béranger</span><i><br />
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</i><b><i> </i></b></span><span style="--font-scale: 1.69;"><b><i> </i></b></span></span><span style="--font-scale: 1.69;"><span style="color: rgba(0, 0, 0, 0.75);"><b><i>Approaching breach</i></b> / <i>Närmre brottet</i> <br /> 4-channel sound installation,12.11 min, 2023<br />
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<i> Approaching breach</i> is an installation featuring reworked sounds, eight speakers, and a room. The sound is originally recorded during a performance involving wet mud. With the excerpts, I create rhythmic
fragments that alternate between intimate and distant tones, in the search of something that yields, near and far. The speakers are positioned far apart, angled toward the floor and walls, allowing the sound to interact with surfaces and transform the room
into an instrument for bodily listening.</span>
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<audio-player label="entire sound piece" src="https://freight.cargo.site/original/i/R1687287856199595177378571467847/Narmre-brottet.mp3"></audio-player><br />
<span style="color: rgba(0, 0, 0, 0.75);"><br />
Trailer</span></span></span></span>
https://freight.cargo.site/t/original/i/A1860799210293948963857200692295/Närmre brottet
https://stelladiedenrichter.com/(mobil)-flute-but-not-the-master
2026-01-02T15:07:25+00:00
always
0.5
https://freight.cargo.site/t/original/i/N2032764825353157617971514162247/CARGO1-curves-25.jpg
https://freight.cargo.site/t/original/i/Y2032765330757051749465809337415/CARGO2-crop.jpg
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.18;"><i>Buss 501</i>, Kraftcentralen, Norberg</span><br />
<span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(8, 0, 0, 0.6);"><i></i></span><br /><span style="--font-scale: 1.69;"><span style="color: rgba(0, 0, 0, 0.75);"><b><i> flute but not the master </i></b><br /> stereo channel sound installation, 02:53 min, 2024<br />
<br /></span> <span style="color: rgba(0, 0, 0, 0.75);"><i>flute but not the master</i> is built from recordings of discarded metal tubes, blown through with my mouth. The tubes’ varying tones form a composition of tension and release, where each sound emerges, lingers, and fades. In the exhibition, the piece activated every ten minutes, with the speakers placed directly on the pipes, allowing the vibratiosn to travel from object to room and body. Created for the exhibition <i>Buss 501</i>, a project by Nisse Bergman with Konstfrämjandet Västmanland</span>. <br />
<br />
</span><span style="--font-scale: 1.25;"><span style="--font-scale: 1.64;"> <br />
<span style="color: rgba(8, 0, 0, 0.6);"><audio-player browser-default="false" label="entire sound piece" loop="false" src="https://freight.cargo.site/m/U2031549539040846141522282134599/NORBERG-5-FINAL.wav"></audio-player></span></span> <br /> <br />
</span> </span> </span><div style="text-align: center"><span style="--font-scale: 1.37;"><a href="(mobil)-discipline" rel="history">Previous</a> / <a href="(mobil)-trickler" rel="history">Next</a></span></div>
https://freight.cargo.site/t/original/i/S2032765611368922598735508520007/CARGO3-crop.jpg
https://stelladiedenrichter.com/(mobil)-discipline
2025-11-20T09:20:05+00:00
always
0.5
https://freight.cargo.site/t/original/i/S2286171713120368097587663060039/_DSC0009-kopiera.jpg
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.01;">Lyssningsrummet, Stockholm. Photo: Mari Mattsson</span> <br />
<i><b><span style="--font-scale: 2.06;"><br />
</span></b></i><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.69;"><i><b>Discipline</b></i> 17.4 sound piece, 12:22 min, 2025</span><br />
<span style="--font-scale: 1.51;"><br />
<span style="--font-scale: 1.69;">
Discipline combines processed field recordings from areas affected by land and mudslides with electroacoustic elements, exploring landscape transformation through sound. The piece moves through sine tones, machine noise, and scraping textures, gradually dissolving into a weave of water, hums, and resonant tones.<br />
<br /> The piece was created for<i> Traversées Sonores</i>, a surround sound concert that I co-organized in Lyssningsrummet, Stockholm. The project translates to ‘Sonic Crossings’, and is an ongoing initiative to provide a platform for emerging artists working with sound. The concert was realized with the generous support of Royal Institute of Art, Stockholm and Institut Français de Suéde. Other participating artists were Ash, Mari Mattsson and tm.</span></span></span>
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<span style="--font-scale: 1.48;"><span style="color: rgba(0, 0, 0, 0.75);"><i><audio-player browser-default="false" label="trailer 3 min" loop="false" src="https://freight.cargo.site/m/A2329589861206240311269150538823/ONLY-AUDIO-disicpline.mp3"></audio-player><br />
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.48;"><span style="color: rgba(0, 0, 0, 0.75);"><audio-player browser-default="false" label="entire 12:22 min" loop="false" src="https://freight.cargo.site/m/U2286223797410026496138103077959/discipline-binaural.wav"></audio-player></span></span></span></span><br />
</i></span></span><br /></span> <br />
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<div style="text-align: center"><span style="--font-scale: 1.69;"> <a href="(mobil)-flute-but-not-the-master" rel="history">Next</a></span></div> </span>
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2025-04-01T10:58:39+00:00
always
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2026-01-02T20:35:59+00:00
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2026-01-02T20:35:59+00:00
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2025-04-01T10:58:39+00:00
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https://stelladiedenrichter.com/dator
2026-01-02T20:47:07+00:00
always
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2025-04-01T10:58:39+00:00
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2026-01-02T21:09:39+00:00
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https://stelladiedenrichter.com/cv
2026-02-26T08:56:21+00:00
always
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https://stelladiedenrichter.com
2026-01-02T21:07:59+00:00
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2026-01-02T20:47:08+00:00
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2026-01-02T20:54:26+00:00
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https://stelladiedenrichter.com/discipline
2026-01-02T20:56:10+00:00
always
0.5
https://freight.cargo.site/t/original/i/S2286171713120368097587663060039/_DSC0009-kopiera.jpg
<span style="--font-scale: 1.47;"><span style="--font-scale: 1.01;">Lyssningsrummet, Stockholm. Photo: Mari Mattsson</span> <br />
<i><b><span style="--font-scale: 2.06;"><br />
</span></b></i><span style="color: rgba(0, 0, 0, 0.75);"><b><span style="--font-scale: 2.06;">Discipline</span></b><span style="--font-scale: 1.25;"><span style="--font-scale: 1.3;"> <br />
17.4 sound piece, 12:22 min, 2025</span></span><span style="--font-scale: 1.47;"><br />
<br />
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.18;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.46;"><i>Discipline</i> combines processed field recordings from areas affected by land and mudslides with electroacoustic elements, exploring landscape transformation through sound. The piece</span> <span style="--font-scale: 1.46;">mov</span><span style="--font-scale: 1.46;">es through sine tones, machine noise, and scraping textures, gradually dissolving into a weave of water, hums, and resonant tones.<br />
<br /> The piece was created for Traversées Sonores, a surround sound concert co-organized in Lyssningsrummet, Stockholm. The project translates to ‘Sonic Crossings’, and is an ongoing initiative to provide a platform for emerging artists working with sound. The concert was realized with the generous support of Royal Institute of Art, Stockholm and Institut Français de Suéde. Other participating artists were Ash, Mari Mattsson and tm.</span></span>
<br />
</span><br />
<br />
<span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><i><span style="--font-scale: 1.02;"><audio-player browser-default="false" label="trailer 3 min" loop="false" src="https://freight.cargo.site/m/A2329589861206240311269150538823/ONLY-AUDIO-disicpline.mp3"></audio-player> <span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.18;"><span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.02;"><audio-player browser-default="false" label="entire 12:22 min" loop="false" src="https://freight.cargo.site/m/U2286223797410026496138103077959/discipline-binaural.wav"></audio-player></span></span></span></span></span></span></span></span></span></span></span> </span></i></span></span></span></span></span></span></span></span></span>
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https://stelladiedenrichter.com/flute-but-not-the-master
2026-01-02T20:56:10+00:00
always
0.5
https://freight.cargo.site/t/original/i/B2032729093493378008506166524999/CARGO1-curves-25.jpg
https://freight.cargo.site/t/original/i/H2032754789881659662206405819463/CARGO2-crop.jpg
https://freight.cargo.site/t/original/i/O2032762691673610844208807394375/CARGO3-crop.jpg
<i>Buss 501</i>, Kraftcentralen, Norberg<br />
<br />
<span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.25;"><span style="--font-scale: 1.47;"><span style="color: rgba(8, 0, 0, 0.6);"><i><span style="--font-scale: 1.02;"></span></i></span></span></span></span><br /><span style="--font-scale: 1.25;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.46;"><b><span style="--font-scale: 2.06;">flute but not the master </span></b><span style="--font-scale: 1.3;"><br />
stereo channel sound installation, 02:53 min, 2024</span></span><br />
</span><br />
<span style="--font-scale: 1.47;"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.18;"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.25;"><span style="--font-scale: 1.46;"><span style="color: rgba(0, 0, 0, 0.75);"><i>flute but not the master</i> is built from recordings of discarded metal tubes, blown through with my mouth. The tubes’ varying tones form a composition of tension and release, where each sound emerges, lingers, and fades. In the exhibition, the piece activated every ten minutes, with the speakers placed directly on the pipes, allowing the vibratiosn to travel from object to room and body. Created for the exhibition <i>Buss 501</i>, a project by Nisse Bergman with Konstfrämjandet Västmanland. </span></span></span></span></span><br />
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<span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.25;"><span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.25;"><span style="--font-scale: 1.47;"><span style="color: rgba(8, 0, 0, 0.6);"><i><span style="--font-scale: 1.02;"><audio-player browser-default="false" label="entire 02:53 min" loop="false" src="https://freight.cargo.site/m/U2031549539040846141522282134599/NORBERG-5-FINAL.wav"></audio-player></span></i></span></span></span></span></span><br /> <br />
<span style="--font-scale: 1.47;"></span></span></span></span></span></span> <br /></span>
https://stelladiedenrichter.com/närmre-brottet
2026-01-02T20:56:27+00:00
always
0.5
https://freight.cargo.site/t/original/i/Z1687250333529900892189952949319/image00002.jpg
https://freight.cargo.site/t/original/i/Z1787212249591685028258002615367/Närmre brottet
https://freight.cargo.site/t/original/i/X2355228572643494554212112907335/Untitled.jpg
Installation view during <i>Bachelors’ Show</i>, Royal Institute of Art, Stockholm. Photo: Jean-Baptiste Béranger<br />
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<span style="--font-scale: 1.18;"><span style="--font-scale: 1.18;"><span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 2.3;"><b>Approaching breach </b>/ Närmre brottet </span><span style="--font-scale: 1.25;"><span style="--font-scale: 1.46;"> <span style="--font-scale: 1.3;"><br />
4-channel sound installation,12.11 min, 2023</span><br />
<br />
</span><span style="--font-scale: 1.47;"><i>Approaching breach</i> is an installation featuring reworked sounds, eight speakers, and a room. The sonic material is originates from a performance </span><span style="--font-scale: 1.47;">with former classmates, where we worked with wet mud. From these recordings, I cut and extract fragments to form rhythmic
sequences that shift between intimate and distant tones. As the sounds lose their recognizability, they become a method for exploring what remains – textures, resonances and traces of contact. The rhythms build gradually towards intensity, circling moments when resistance falters and gives way.<br /><br />
The speakers are placed apart, directed toward the floor and walls. As the sound hits the surfaces, the passage transforms into an instrument for an indirect, bodily listening. </span></span></span><span style="--font-scale: 1.25;"><span style="--font-scale: 1.47;">
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<span style="--font-scale: 1.18;"><span style="--font-scale: 1.18;"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.25;"><span style="--font-scale: 1.24;"><span style="--font-scale: 1.02;"><audio-player label="entire piece" src="https://freight.cargo.site/original/i/R1687287856199595177378571467847/Narmre-brottet.mp3"></audio-player><br />
<br />
<b><span style="--font-scale: 1.46; color: rgba(0, 0, 0, 0.75);">Trailer</span></b></span></span></span></span></span></span></span></span></span></span></span>
https://stelladiedenrichter.com/trickler
2026-01-02T21:02:54+00:00
always
0.5
https://freight.cargo.site/t/original/i/X1660122196078771372610727296071/b4.jpg
<span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(8, 0, 0, 0.39);">trailer (1 min)</span><i><b><br />
<br /><span style="--font-scale: 2.06;"></span></b></i><span style="color: rgba(0, 0, 0, 0.75);"><b><span style="--font-scale: 2.06;"><i><br />
</i>ASICS - trickler</span></b><span style="--font-scale: 1.3;"> <br />
performance, 30 min, 2023</span><br />
<br />
<span style="--font-scale: 1.47;">A performance for Kunst på Ruinen; a one-day event taking place in the surroundings of a drained lake, before the
pumps were turned on to restore the lake and water would seep back. I place myself on a ruin wall beside the lake and slowly pull my body forward. The wall shifts in levels, and
with each rise, I bend to lick myself ahead. The slow movement holds the body in exertion, mirroring the ground’s
gradual change and dissolution.</span></span></span><br /><br />
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https://freight.cargo.site/t/original/i/E2329672601973854111060035222599/ASICS - trickler
<span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(8, 0, 0, 0.39);">trailer (1 min)</span><i><b><br />
<br /><span style="--font-scale: 2.06;"></span></b></i><span style="color: rgba(0, 0, 0, 0.75);"><b><span style="--font-scale: 2.06;"><i><br />
</i>ASICS - trickler</span></b><span style="--font-scale: 1.3;"> <br />
performance, 30 min, 2023</span><br />
<br />
<span style="--font-scale: 1.47;">A performance for Kunst på Ruinen; a one-day event taking place in the surroundings of a drained lake, before the
pumps were turned on to restore the lake and water would seep back. I place myself on a ruin wall beside the lake and slowly pull my body forward. The wall shifts in levels, and
with each rise, I bend to lick myself ahead. The slow movement holds the body in exertion, mirroring the ground’s
gradual change and dissolution.</span></span></span><br /><br />
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<br />
https://stelladiedenrichter.com/asics
2026-01-02T21:13:18+00:00
always
0.5
https://freight.cargo.site/t/original/i/H1708244597863294232392017230919/bild-1-1.jpg
https://freight.cargo.site/t/original/i/J1708244943075662827792566172743/bild-5.jpg
<i>Rundgång</i>, Royal Institute of Art, 2022. Photo: Niels Engström<br />
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<span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 2.37;"><b>ASICS</b></span> <span style="--font-scale: 1.24;"><span style="--font-scale: 1.3;"> <br />
performance, 10 min, 2022</span><br />
<br /><span style="--font-scale: 1.47;">Running shoes make the body light and bouncy against hard surfaces. Here, the dynamic is reversed
—the shoes take control, dictating the body’s movements as they wrestle and caress each other. A rubber sole drags
against another, generating sluggish friction that builds tension. The
sneakers give vent to a relationship, while the body navigates a choreography balancing
resistance and fluidity.</span></span></span><br />
</span><br />
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<span style="color: rgba(8, 0, 0, 0.39);"><span style="--font-scale: 1.46; color: rgba(0, 0, 0, 0.75);"><b>
Excerpt (2 min)<br />
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https://freight.cargo.site/t/original/i/T1708244943020322595571437517895/bild-2.jpg
https://freight.cargo.site/t/original/i/O1708244943057216083718856621127/bild-4.jpg
https://freight.cargo.site/t/original/i/W1708244943038769339645147069511/bild-3.jpg
https://stelladiedenrichter.com/en-ansträngning,-flera-suckar
2026-01-02T20:50:11+00:00
always
0.5
https://freight.cargo.site/t/original/i/W1693309217054309091940142267463/Skarmavbild-2022-07-27-kl.-16.41.43.jpg
https://freight.cargo.site/t/original/i/Q1693316584979040036714410523719/_MG_0432.jpg
Installation view during <i>Non-nowledge, laughter and the moving image</i>, ICAT, Hamburg, 2022<br />
<br />
https://freight.cargo.site/t/original/i/D1693324945006560753735783791687/En ansträngning, flera suckar TRAILER
https://freight.cargo.site/t/original/i/B1709301837176301904198939032647/_MG_0407.jpg
https://freight.cargo.site/t/original/i/E2355317692166081834249979542599/Screenshot-2024-04-08-at-17.49.30.jpg
https://freight.cargo.site/t/original/i/E2355318094378889617413042977863/Skarmavbild-2022-07-27-kl.-16.42.14.jpg
Stills from video<br /><span style="--font-scale: 1.39; color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.47;"><br />
<span style="--font-scale: 2.06;"><b><i></i></b></span></span><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 2.3;"><b>One effort, many sighs </b>/ En ansträngning, flera suckar </span><span style="--font-scale: 1.25;"><span style="--font-scale: 1.3;"><br />
video, 21 min, 2022</span><br /><br />
<span style="--font-scale: 1.47;">This project is inspired by human effort when building on unstable ground. Excavating mud creates movement, while attempts to stabilize and prevent mudslides often worsen the problems we aim to solve. The video shows a group shaping bricks using a segmented wooden frame. As the group forces mud into uniform shapes, the rigid dynamics of production emerge, revealing tensions between labor, constraints, and mud’s unpredictability. The act is repeated until all the mud is shaped.<br />
</span></span><span style="--font-scale: 1.18;"><br />photo: Niels Engström, Caio Marques de Oliveira<br />edit: Stella Dieden Richter<br />participants: Johanna Bjurström, Elmer Blåvarg, Sofia Romberg, Andreas Widoff, Andrea Larsson, Stella Dieden Richter<br />
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</span></span></span><span style="--font-scale: 1.46; color: rgba(0, 0, 0, 0.75);"><b>Trailer<br />
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</b></span>
https://freight.cargo.site/t/original/i/Z2355318664807556608733507599431/4.jpg
https://stelladiedenrichter.com/när-rutin-blir-ritual
2026-01-02T20:50:29+00:00
always
0.5
https://freight.cargo.site/t/original/i/C1693340284783976872461330660423/IMG_0051.jpg
https://freight.cargo.site/t/original/i/L1693340284765530128387621108807/IMG_0008.jpg
https://freight.cargo.site/t/original/i/J1693349940713715511652414504007/IMG_0088.jpg
https://freight.cargo.site/t/original/i/K1693661441196347606153039297607/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_07.jpg
<span style="color: rgba(8, 0, 0, 0.33);"><i>Holy Fluff</i>, Supermarket, 2022. <span style="color: rgba(8, 0, 0, 0.33);">Photo: José Figueroa and volunteer</span></span><br />
<span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.47;"><br />
<span style="--font-scale: 2.06;"><i><b></b></i></span></span><span style="color: rgba(0, 0, 0, 0.75);"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><span style="--font-scale: 2.06;"><b>When routine becomes ritual</b> / När rutin blir ritual<br />
</span></span><span style="--font-scale: 1.3;">performance, 45 min, 2021</span></span><br />
</span><span style="--font-scale: 1.18;"><br /><span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);">This is a performance in three acts where I portray myself and a door as object and subject respectively. In the first act I lie down next to the door to perform a back somersault. Faceing down, I do a slow rise for 20 minutes; I push my body up from the floor to standing
position, after which the clothes expose parts of my body. By slowing down my normal speed, hiding my face and letting my
clothes expose my body, I try to steer away from the reading of me as a subject. In the second act, I smear the door surfaces
and parts with Vaseline, and the third act
is the smeared door lying on the floor.</span></span><br />
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</span></span>
https://freight.cargo.site/t/original/i/S1693661441159454118005620194375/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_05.jpg
https://freight.cargo.site/t/original/i/U1693661441122560629858201091143/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_03.jpg
https://freight.cargo.site/t/original/i/H1693661441030326909489653333063/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_01.jpg
https://freight.cargo.site/t/original/i/W1693661441141007373931910642759/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_04.jpg
https://stelladiedenrichter.com/är-man-först-ren
2026-01-02T20:51:49+00:00
always
0.5
https://freight.cargo.site/t/original/i/O1693593218606615626137982057543/Är man först ren - i taxin
excerpt from livestream 1 min
https://freight.cargo.site/t/original/i/P1693605610206947140529280105543/Ar-man-forst-ren.jpg
https://stelladiedenrichter.com/kulturprofilerna
2026-01-02T20:51:49+00:00
always
0.5
https://freight.cargo.site/t/original/i/B1693356697534708782576656825415/Kulturprofilerna Live, Snotty Seaside, kort version 2
https://freight.cargo.site/t/original/i/O1693366190930185388312881380423/Performance_Kulturprofilerna_20220629_JoseFigueroa_05.jpg
https://freight.cargo.site/t/original/i/P1693366190948632132386590932039/RAW04476.jpg
<span style="color: rgba(0, 0, 0, 0.75);"><i><span style="--font-scale: 2.06;"><br /><b></b></span></i><span style="--font-scale: 2.3;"><b>
Kulturprofilerna</b></span><span style="--font-scale: 1.47;"><span style="--font-scale: 1.24;"><span style="--font-scale: 1.46;"> <br />
performance, 30 min, 2021-22</span></span><br />
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<i>Kulturprofilerna</i> is a queer punk band named after Jean-Claude Arnault<span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;">—</span></span>a central figure in Sweden’s #MeToo
scandal, known in the tabloids as <span style="--font-scale: 1.47;">the ‘Culture Profile’</span>. <br /><br />
The band brought together ten artists, curators, and thinkers, playing on found instruments with raw energy and no
filters. As a songwriter and front performer, I helped lead our chaotic shows—using humor and vulnerability to challenge oppressive structures. Our songs tackled themes like lesbian love, annoying pets,
and mommy issues—channeling resistance through unfiltered emotion and collective catharsis. We performed
at release parties, public institutions and art venues.<br />
<br />
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.18;"><span style="--font-scale: 1.47;">Band members: Malin Arnedotter Bengtsson, Sarali Borg, Moa Cedercrona, Stella Dieden Richter, Heidi Edström, Beata Sjöstedt, Laus Østergaard, Lovisa Fahlgren, Lior Nønne Malue Hansen, Lovisa Gauffin Wohlfarth<br />Credits: Martin Ålund - initiator and sound technician</span></span></span><br />
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<u>Setlist</u> <br />
Vilda Vulvan<br />
Port Salut<br />
Alkoholtårta<br />
Boy<br />
Lorte kat<br />
Kulturmannen<br />
Kokosmjölk<br />
Supermakter<br />
Yoga<br />
Franska låten (cover of Poupée de cire, poupée de son)<br />
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</span></span><b><span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.46;">Trailer</span></b>
https://freight.cargo.site/t/original/i/F2040965557767866807514209565767/Kulturprofilerna Live, Snotty Seaside, kort version 2
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Photo 1: Supermarket, José Figueroa. Photo 2: Musikaliska, Niels Engström. Photo 3: Snotty Seaside, Sanna Albenius. Photo 4: Moderna Museet Stockholm, Albin Håkansson. Trailer: Snotty Seaside, Sanna Albenius<br />
https://freight.cargo.site/t/original/i/P2042748134974449410507042831431/IMG_976C45F97588-1.JPEG
https://freight.cargo.site/t/original/i/U2042748134900662434212204624967/IMG_13F8454C27D8-1.JPEG
https://stelladiedenrichter.com/håll-mig-våt:-delad-(akt)
2026-01-02T20:51:49+00:00
always
0.5
https://freight.cargo.site/t/original/i/M1693447602665228909551700786247/Untitled-2.jpg
https://freight.cargo.site/t/original/i/M1693447602683675653625410337863/Untitled-3.jpg
https://freight.cargo.site/t/original/i/I1693455416798252253286313081927/Untitled-6-vinklad.jpg
https://freight.cargo.site/t/original/i/R1693465952121174374359141563463/P2240349-copy-2.jpg
<i>Sex Cave</i>, Galleri Konstepidemin, 2020<br /><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.47;"><b><br />
</b><span style="--font-scale: 2.06;"><b><i></i></b></span></span></span><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 2.3;"><b>Keep me wet: parted </b>/ Håll mig våt: delad<br />
</span><span style="--font-scale: 1.24;"><span style="--font-scale: 1.45;"> performance, 30 min, 2020</span></span><br />
<br /><span style="--font-scale: 1.47;">In this project, I explore the encounter between the car and the mud. The process begins with me gathering a pile of wet mud and driving over it, capturing the moment when the mud gives way and the pile splits apart. The performance acts as a starting point for a further process where I perpetuate the remaining track.
Performed during group exhibition <i>Sex Cave</i> at Galleri Konstepidemin, Gothenburg.</span></span><br />
https://stelladiedenrichter.com/håll-mig-våt:-delad
2026-01-02T20:52:15+00:00
always
0.5
https://freight.cargo.site/t/original/i/I1693383879863565805802407443527/IMG_0780.jpg
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https://freight.cargo.site/t/original/i/L1693422924260518963513067420743/IMG_1273-2.jpg
<span style="color: rgba(8, 0, 0, 0.6);"><br />
<b><br />
</b><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 2.3;"><b>Keep me wet: parted</b> / Håll mig våt: delad</span>
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.24;"><span style="--font-scale: 1.3;"><br />
120 x 80 cm, 2020<br />
mud, epoxy, tarp, cold asphalt and sand</span></span><br />
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<span style="--font-scale: 1.47;">
I treat a piece of tarp with cold asphalt and sand, to place a wet pile of mud on top, and run over it with a car. As the imprint dries, the mud hardens and cracks. Finally, I apply liquid plastic to preserve the moment when the mud is separated from it’s whole. The
piece has been made in several editions, and this one was exhibited at Liljevalchs Vårsalong in Stockholm, 2023.</span></span></span><br />
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https://stelladiedenrichter.com/dn
2026-01-02T20:47:08+00:00
always
0.5
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https://stelladiedenrichter.com/konstguiden
2026-01-02T20:47:08+00:00
always
0.5
https://freight.cargo.site/t/original/i/F1685687551713926756234285136967/KG-2.jpg
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https://stelladiedenrichter.com/svd
2026-01-02T20:47:08+00:00
always
0.5
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https://stelladiedenrichter.com/göteborgsposten
2026-01-02T20:47:08+00:00
always
0.5
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https://stelladiedenrichter.com/pages
2026-01-02T20:47:07+00:00
always
0.5
https://stelladiedenrichter.com/page-nav
2026-01-02T20:47:07+00:00
always
0.5
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always
0.5