https://stelladiedenrichter.com/mobil
2026-08-03T16:41:27+00:00
always
0.5
https://stelladiedenrichter.com/rubber's-sole-1
2026-08-04T15:13:30+00:00
always
0.5
https://freight.cargo.site/t/original/i/Z2880653337873446470175931350087/_31A6412-lite-morkare.jpg
https://freight.cargo.site/t/original/i/Y2880779577871366996313062620231/_31A6383-mindre-och-morkare.jpg
Body, Konsthall C, Stockholm, 2025<br /><br /><br /><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.69;"><i>Rubber’s Sole</i><b><br /></b><br />
3-channel sound installation, 12:44 min (loop), 2025<br />speakers, stands, wooden beams, speaker textile<br /><br /><i>Rubber’s Sole</i> is built from recordings of wet mud being pressed, shaken, released, and dropped. The composition keeps the material in motion, preventing the mud from ever settling into a stable state. Thuds and sticky releases move between two standing speakers in irregular pulses, alternating between isolated gestures and dense accumulations, while a floor speaker carries intermittent impacts and a constant crackle texture. Gradually, traces from the recording situation leak through–murmurs, a vibrating phone. As the loop reaches its end, all three speakers emit crackling sounds to clear the field and the loop to start over.</span><br />
</span>
https://freight.cargo.site/t/original/i/B2880782856245170520048285367367/_31A6542.jpg
<span style="color: rgba(0, 0, 0, 0.75);"><br />
<br />
</span>
https://freight.cargo.site/t/original/i/Q3065987984546723202243684056135/Rubber's Sole (trailer + hela)
https://stelladiedenrichter.com/don't-bring-an-instrument-1
2026-08-04T14:26:51+00:00
always
0.5
https://freight.cargo.site/t/original/i/A2880611055593293030522514422855/IMG_1432.jpg
<i>Sonic Commons</i>, Index, Stockholm, 2026. Photo: Tiny Karlsson Savci<br />
<br />
<br />
<span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.69;"><i>D</i></span><span style="--font-scale: 1.69;"><i>on’t Bring An Instrument</i><b>
</b><br /><br />
2023-ongoing
<br /><br />
<br />
A platform and series of courses co-developed with Aron Fogelström. The
project was initiated with a desire to approach sound beyond established tools, exploring what emerges when
the body, listening, and material itself become the instrument.<br />
<br /><i>Off Site</i> (Royal Institute of Art, 2024) took Stockholm’s sonic landscape and the city’s
relationship to noise as its point of departure, focusing on sounding techniques, decentralization, and socio-
political conditions. In 2025, this was followed by <i>Leakage As Resistance</i>, where we examined sound within
exhibition contexts and its capacity to renegotiate spatial and social structures. The course concluded with a
public sound experiment at R1 Reactor Hall, Stockholm.<br />
<br /><i>Sonic Commons</i> was held at Index in dialogue with the exhibition Liberation
Radio. Together, we explored how the city’s soundscape might be translated into a speculative collective body.
Through sound’s capacity to leak across boundaries, we investigated ways of dissolving individual ownership
and opening new modes of relating to the urban environment collectively. A temporary sound installation
extended across three rooms, where microphones and speakers were arranged so that sounds captured in one
space were transmitted into another. Functioning as an open communication system, the installation allowed
voices, movements, and ambient noise to be continuously displaced and renegotiated between spaces.</span><br />
</span>
https://stelladiedenrichter.com/cv-2
2026-08-03T16:41:28+00:00
always
0.5
https://stelladiedenrichter.com/keep-me-wet-parted-2
2026-08-04T15:02:20+00:00
always
0.5
https://freight.cargo.site/t/original/i/I1693383879863565805802407443527/IMG_0780.jpg
<span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.69;"><i><br /><br />
Keep me wet: parted / Håll mig våt: delad</i>
<br />
<br />120 x 80 cm, 2020 <br />mud, epoxy, tarp, cold asphalt and sand<br />
<br />I treat a piece of tarp with cold asphalt and sand, place a wet pile of mud on top, and run a car over it. As the imprint dries, the mud hardens and cracks. Finally, I apply liquid plastic to preserve the moment when the mud is separated from its whole. The
piece has been made in several versions, and this one was exhibited at Liljevalchs Vårsalong in Stockholm 2023.</span>
https://freight.cargo.site/t/original/i/C1693383879845119061728697891911/IMG_0621.jpg
https://freight.cargo.site/t/original/i/L1693422924260518963513067420743/IMG_1273-2.jpg
<span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.69;"><i><br />
<b></b></i></span>
https://stelladiedenrichter.com/kulturprofilerna-1
2026-08-04T14:28:34+00:00
always
0.5
https://freight.cargo.site/t/original/i/B1693356697534708782576656825415/Kulturprofilerna Live, Snotty Seaside, kort version 2
https://freight.cargo.site/t/original/i/B1693363760793014605963970591815/kulturprofilerna.jpg
https://freight.cargo.site/t/original/i/P1693366190948632132386590932039/RAW04476.jpg
https://freight.cargo.site/t/original/i/G2657579624079321436046740536391/RAW04526.jpg
https://freight.cargo.site/t/original/i/Z2657601277568491431119390358599/RAW04140.jpg
https://freight.cargo.site/t/original/i/M2657601277586938175193099910215/RAW04373.jpg
https://freight.cargo.site/t/original/i/Q2657601277550044687045680806983/RAW03919.jpg
https://stelladiedenrichter.com/asics-1
2026-08-04T14:29:17+00:00
always
0.5
https://freight.cargo.site/t/original/i/J1708244943075662827792566172743/bild-5.jpg
<i> Rundgång</i>, Royal Institute of Art, 2022. Photo: Niels Engström<br />
<br />
<br />
<span style="--font-scale: 1.69;"><span style="color: rgba(0, 0, 0, 0.75);"><i>ASICS</i> <br />
<span style="--font-scale: 1.51;"><br />
performance 10 min, 2022</span></span><span style="--font-scale: 1.51;"><br />
<br /><span style="color: rgba(0, 0, 0, 0.75);">Running shoes make the body light and bouncy against hard surfaces. Here, the dynamic is reversed—the shoes take control, dictating the body’s movements as they wrestle and caress each other. One rubber sole drags
against the other, generating sluggish friction that builds tension throughout the body. The
sneakers give vent to a relationship, while the body navigates a choreography balancing
resistance and fluidity.</span></span><br /> </span><br />
<br />
https://freight.cargo.site/t/original/i/K1708244943112556315939985275975/bild-9.jpg
https://freight.cargo.site/t/original/i/O1708244943057216083718856621127/bild-4.jpg
https://freight.cargo.site/t/original/i/W1708244943038769339645147069511/bild-3.jpg
https://freight.cargo.site/t/original/i/H2054012362062283696641630649415/Caios-film.mov
<span style="color: rgba(8, 0, 0, 0.39);"> Excerpt from<i> Reclaim Pride</i>, <span style="color: rgba(8, 0, 0, 0.39);"> Hägerstens Medborgarhus, 2024</span>. Photo: Caio Marques de Oliveira</span> <br />
https://stelladiedenrichter.com/approaching-breach-1
2026-08-04T15:10:24+00:00
always
0.5
https://freight.cargo.site/t/original/i/Z1687250333529900892189952949319/image00002.jpg
https://freight.cargo.site/t/original/i/V1687250333511454148116243397703/image00001.jpg
https://freight.cargo.site/t/original/i/I1687250907979958091579099823175/image00008.jpg
<span style="--font-scale: 1.19;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="color: rgba(146, 136, 136, 0.75);">Bachelor Show, Royal Institute of Art, Stockholm, 2023. Photo: Jean-Baptiste Béranger</span><i><br />
<br />
</i><b><i> </i></b><b><i> </i></b></span><span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.69;"><i>Approaching breach</i> / <i>Närmre brottet</i> <br />
<span style="--font-scale: 1.51;"><br />
8-channel sound installation, 12.11 min, 2023 <br />
speakers, cables, rubber cylinders<br />
<br />
<i>Approaching breach</i> is a sound installation set in a stripped passage at the Royal Institute of Art in Stockholm. The composition is built from recordings of a collective performance in which participants worked with heavy, wet mud. Sonic fragments are drawn from both intentional and incidental sounds and reassembled into rhythmic sequences that gradually condense and disperse. A wet rumble–a low-frequency drilling from nearby construction–folds into clatter, punctuated by the sharp squeaks of rubber soles before dispersing into increasingly sparse rhythms and movements, leaving only a thin crackling strand.<br /><br />Speakers are placed at intervals, facing the floor and walls. Low frequencies strike the walls, while scraping and squeaking travel along the floor. The passage becomes a space for indirect, bodily listening.</span></span>
<br />
<br />
<audio-player label="play" src="https://freight.cargo.site/m/R1687287856199595177378571467847/Narmre-brottet.mp3"></audio-player><br />
<br />
</span>
https://freight.cargo.site/t/original/i/A1860799210293948963857200692295/Närmre brottet
https://stelladiedenrichter.com/flute-but-not-the-master-1
2026-08-04T14:30:17+00:00
always
0.5
https://freight.cargo.site/t/original/i/N2032764825353157617971514162247/CARGO1-curves-25.jpg
https://freight.cargo.site/t/original/i/Y2032765330757051749465809337415/CARGO2-crop.jpg
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.18;"><i>Buss 501</i>, Kraftcentralen, Norberg</span><br />
<span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(8, 0, 0, 0.6);"><i></i></span><br /><span style="--font-scale: 1.69;"><span style="color: rgba(0, 0, 0, 0.75);"><i> <br />
flute but not the master </i><br /> </span><span style="--font-scale: 1.51;"><span style="color: rgba(0, 0, 0, 0.75);"><br />
stereo sound installation, 02:53 min, 2024<br />
<br /></span> <span style="color: rgba(0, 0, 0, 0.75);"><i>flute but not the master</i> is built from recordings of salvaged metal tubes, each blown by mouth and recorded individually. The composition gathers their varying tones into a high-intensity, dissonant mass in which sounds erupt simultaneously, are cut off abruptly, or fade into slow dissipation, creating a concentrated release of energy.<br /><br />Created for the exhibition ‘Buss 501’, the work was activated every ten minutes, allowing each eruption to return as a recurring interruption within the space.</span></span> <br />
</span><span style="--font-scale: 1.19;"> <br />
<span style="color: rgba(8, 0, 0, 0.6);"><audio-player browser-default="false" label="play" loop="false" src="https://freight.cargo.site/m/U2031549539040846141522282134599/NORBERG-5-FINAL.wav"></audio-player></span><span style="color: rgba(8, 0, 0, 0.6);"></span></span><span style="--font-scale: 1.19;"> <br /> </span></span></span><div style="text-align: center"><span style="--font-scale: 1.37;"></span></div>
https://freight.cargo.site/t/original/i/S2032765611368922598735508520007/CARGO3-crop.jpg
https://stelladiedenrichter.com/discipline-1
2026-08-04T14:31:21+00:00
always
0.5
https://freight.cargo.site/t/original/i/S2286171713120368097587663060039/_DSC0009-kopiera.jpg
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.01;"><i>Traversées Sonores</i>, Lyssningsrummet, Stockholm. Photo: Mari Mattsson</span> <br />
<i><b><span style="--font-scale: 2.06;"><br />
</span></b></i><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.69;"><i>Discipline</i> <br />
<span style="--font-scale: 1.51;"><br />
17.4 sound piece, 12:22 min, 2025</span></span><br />
<span style="--font-scale: 1.51;"><br />
<i>Discipline</i> combines field recordings with synthetic and instrumental elements. The field recordings were made with contact and airborne microphones during a research trip to areas in Norway shaped by landslides and mudslides. The composition establishes distinct sonic layers that develop in parallel, gradually gathering into a dense accumulation of scraping gestures and motor noise. Sliding electric guitar textures sweep through this accumulation, leaving a weave of trickling currents, harmonized motor hums, and recurring resonances.<br /><br />The piece was created for Traversées Sonores (Sound Crossings)–a surround-sound concert in Lyssningsrummet co-organized with the Royal Institute of Art and Institut français de Suède. Discipline was later presented during Nuit Blanche 2025 at the Institut suédois in Paris, alongside works by Ash, Mari Mattsson and tm.</span></span>
<br />
<br />
<span style="--font-scale: 1.19;"><audio-player browser-default="false" label="play (trailer 3min)" loop="false" src="https://freight.cargo.site/m/A2329589861206240311269150538823/ONLY-AUDIO-disicpline.mp3"></audio-player><br />
<audio-player browser-default="false" label="play" loop="false" src="https://freight.cargo.site/m/U2286223797410026496138103077959/discipline-binaural.wav"></audio-player></span><span style="--font-scale: 1.48;"><span style="color: rgba(0, 0, 0, 0.75);"><i><span style="--font-scale: 1.38;"><span style="--font-scale: 1.05;"></span></span><br />
</i></span></span></span>
</span>
https://stelladiedenrichter.com/header-menu
2026-08-03T16:41:27+00:00
always
0.5
https://stelladiedenrichter.com/nav-bar
2026-08-04T14:41:40+00:00
always
0.5
https://stelladiedenrichter.com/image-nav-1
2026-08-03T16:41:27+00:00
always
0.5
https://stelladiedenrichter.com/dator
2026-08-03T16:41:28+00:00
always
0.5
https://stelladiedenrichter.com/left-nav
2026-08-03T16:41:27+00:00
always
0.5
https://stelladiedenrichter.com/cv
2026-08-03T16:41:27+00:00
always
0.5
https://stelladiedenrichter.com
2026-08-04T15:05:53+00:00
always
0.5
https://stelladiedenrichter.com/untitled-set
2026-08-04T14:56:16+00:00
always
0.5
https://stelladiedenrichter.com/rubber's-sole
2026-08-04T15:04:35+00:00
always
0.5
https://freight.cargo.site/t/original/i/M2880609720583977672088554421319/IMG_1487.jpg
https://freight.cargo.site/t/original/i/Z2880653337873446470175931350087/_31A6412-lite-morkare.jpg
https://freight.cargo.site/t/original/i/Y2880779577871366996313062620231/_31A6383-mindre-och-morkare.jpg
Body, Konsthall C, Stockholm, 2025<br />
<br />
<br />
<span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.51;"><i><br />
Rubber’s Sole</i><b>
<br />
<br />
</b>3-channel sound installation, 12:44 min (loop), 2025<br />
speakers, stands, wooden beams, speaker textile
<br /><br />
<i>Rubber’s Sole</i> is built from recordings of wet mud being pressed, shaken, released, and dropped. The composition keeps the material in motion, preventing the mud from ever settling into a stable state. Thuds and sticky releases move between two standing speakers in irregular pulses, alternating between isolated gestures and dense accumulations, while a floor speaker carries intermittent impacts and a constant crackle texture. Gradually, traces from the recording situation leak through–murmurs, a vibrating phone. As the loop reaches its end, all three speakers emit crackling sounds to clear the field and the loop to start over.</span><span style="--font-scale: 1.46;"><span style="color: rgba(0, 0, 0, 0.75);"><br />
</span></span></span>
https://freight.cargo.site/t/original/i/B2880782856245170520048285367367/_31A6542.jpg
https://freight.cargo.site/t/original/i/L2880806673482080129030211091527/Rubber's Sole (trailer + hela)
https://stelladiedenrichter.com/discipline
2026-08-04T15:03:53+00:00
always
0.5
https://freight.cargo.site/t/original/i/S2286171713120368097587663060039/_DSC0009-kopiera.jpg
<span style="--font-scale: 1.47;"><span style="--font-scale: 1.01;">Traversées Sonores, Lyssningsrummet, Stockholm, 2025. Photo: Mari Mattsson</span> <br />
<i><b><span style="--font-scale: 2.06;"><br />
</span></b></i><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.5;"><i><br />
Discipline</i> <br />
<br />
17.4 sound piece, 12:22 min, 2025<br />
<br />
<i>Discipline</i> combines field recordings with synthetic and instrumental elements. The field recordings were made with contact and airborne microphones during a research trip to areas in Norway shaped by landslides and mudslides. The composition establishes distinct sonic layers that develop in parallel, gradually gathering into a dense accumulation of scraping gestures and motor noise. Sliding electric guitar textures sweep through this accumulation, leaving a weave of trickling currents, harmonized motor hums, and recurring resonances.<br /><br />The piece was created for Traversées Sonores (Sound Crossings)–a surround-sound concert in Lyssningsrummet co-organized with the Royal Institute of Art in Stockholm and Institut français de Suède. Discipline was later presented during Nuit Blanche 2025 at the Institut suédois in Paris, alongside works by Ash, Mari Mattsson and tm.</span><span style="--font-scale: 1.47;"><span style="--font-scale: 1.18;"><span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.18;"><span style="color: rgba(0, 0, 0, 0.75);">
<br />
</span>
<br />
</span><br />
<br />
<span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><i><span style="--font-scale: 1.02;"><audio-player browser-default="false" label="play (trailer 3 min)" loop="false" src="https://freight.cargo.site/m/A2329589861206240311269150538823/ONLY-AUDIO-disicpline.mp3"></audio-player> <span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.18;"><span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.47;"><span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.47;"><span style="--font-scale: 1.02;"><audio-player browser-default="false" label="play" loop="false" src="https://freight.cargo.site/m/U2286223797410026496138103077959/discipline-binaural.wav"></audio-player></span></span></span></span></span></span></span></span></span></span></span> </span></i></span></span></span></span></span></span></span></span></span>
<br />
<br /></span>
https://stelladiedenrichter.com/flute-but-not-the-master
2026-08-04T15:03:41+00:00
always
0.5
https://freight.cargo.site/t/original/i/B2032729093493378008506166524999/CARGO1-curves-25.jpg
https://freight.cargo.site/t/original/i/H2032754789881659662206405819463/CARGO2-crop.jpg
https://freight.cargo.site/t/original/i/O2032762691673610844208807394375/CARGO3-crop.jpg
<i>Buss 501</i>, Kraftcentralen, Norberg<br />
<br />
<span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.25;"><span style="--font-scale: 1.47;"><span style="color: rgba(8, 0, 0, 0.6);"><i><span style="--font-scale: 1.02;"></span></i></span></span></span></span><br /><span style="--font-scale: 1.25;"><span style="--font-scale: 1.5;"><span style="color: rgba(0, 0, 0, 0.75);"><i><br />
flute but not the master</i> <br />
<br />
stereo sound installation, 02:53 min, 2024<br />
</span><br />
<i>flute but not the master</i> is built from recordings of salvaged metal tubes, blown through by mouth. The tubes’ varying
tones form a high-intensity dissonant mass in which sounds erupt simultaneously, cut off abruptly or fade into slow
dissipation, creating a concentrated release of energy.
Created for
the exhibition ‘Buss 501’, the work was activated every ten minutes, allowing each eruption to return as a recurring
interruption within the space.</span><span style="--font-scale: 1.47;"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.18;"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.25;"><span style="--font-scale: 1.46;"><br />
</span></span></span></span><br />
<br />
<span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.25;"><span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.25;"><span style="--font-scale: 1.47;"><span style="color: rgba(8, 0, 0, 0.6);"><i><span style="--font-scale: 1.02;"><audio-player browser-default="false" label="play" loop="false" src="https://freight.cargo.site/m/U2031549539040846141522282134599/NORBERG-5-FINAL.wav"></audio-player></span></i></span></span></span></span></span><br /> <br />
<span style="--font-scale: 1.47;"></span></span></span></span></span></span> <br /></span>
https://stelladiedenrichter.com/approaching-breach
2026-08-04T15:10:44+00:00
always
0.5
https://freight.cargo.site/t/original/i/Z1687250333529900892189952949319/image00002.jpg
https://freight.cargo.site/t/original/i/Z1787212249591685028258002615367/Närmre brottet
https://freight.cargo.site/t/original/i/X2355228572643494554212112907335/Untitled.jpg
Bachelor Show, Royal Institute of Art, Stockholm, 2023. Photo: Jean-Baptiste Béranger<br />
<br />
<br />
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.18;"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.5;"><span style="color: rgba(0, 0, 0, 0.75);"><i><br />
Approaching breach / Närmre brottet</i> <br />
<br />
8-channel sound installation, 12.11 min, 2023. <br />
speakers, cables, rubber cylinders<br />
<br />
</span><i>Approaching breach</i> is a sound installation set in a stripped passage at the Royal Institute of Art in Stockholm. The composition is built from recordings of a collective performance in which participants worked with heavy, wet mud. Sonic fragments are drawn from both intentional and incidental sounds and reassembled into rhythmic sequences that gradually condense and disperse. A wet rumble–a low-frequency drilling from nearby construction–folds into clatter, punctuated by the sharp squeaks of rubber soles before dispersing into increasingly sparse rhythms and movements, leaving only a thin crackling strand.<br /><br />Speakers are placed at intervals, facing the floor and walls. Low frequencies strike the walls, while scraping and squeaking travel along the floor. The passage becomes a space for indirect, bodily listening.</span><span style="--font-scale: 1.25;"><span style="--font-scale: 1.47;"><br />
<br />
<span style="--font-scale: 1.18;"><span style="--font-scale: 1.18;"><span style="color: rgba(8, 0, 0, 0.6);"><span style="--font-scale: 1.25;"><span style="--font-scale: 1.24;"><span style="--font-scale: 1.02;"><audio-player label="play" src="https://freight.cargo.site/m/R1687287856199595177378571467847/Narmre-brottet.mp3"></audio-player><br />
</span></span></span></span></span></span></span></span></span></span></span><br />
https://stelladiedenrichter.com/asics
2026-08-04T14:50:06+00:00
always
0.5
https://freight.cargo.site/t/original/i/H1708244597863294232392017230919/bild-1-1.jpg
https://freight.cargo.site/t/original/i/J1708244943075662827792566172743/bild-5.jpg
<i>Rundgång</i>, Royal Institute of Art, 2022. Photo: Niels Engström<br />
<br />
<br />
<br />
<span style="color: rgba(8, 0, 0, 0.6);"><span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.5;"><i>ASICS</i> <br />
<br />
performance 10 min, 2022<br />
<br />Running shoes make the body light and bouncy against hard surfaces. Here, the dynamic is reversed—the shoes take control, dictating the body’s movements as they wrestle and caress each other. A rubber sole drags
against another, generating sluggish friction that builds tension. The
sneakers give vent to a relationship, while the body navigates a choreography balancing
resistance and fluidity.</span><br />
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<span style="color: rgba(8, 0, 0, 0.39);"><span style="--font-scale: 1.46; color: rgba(0, 0, 0, 0.75);"><b>
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https://freight.cargo.site/t/original/i/H2054012362062283696641630649415/Caios-film.mov
Excerpt from <i>Reclaim Pride</i>, Hägerstens Medborgarhus, Stockholm, 2024. Photo: Caio Marques De Oliveira
https://stelladiedenrichter.com/kulturprofilerna
2026-08-04T14:51:46+00:00
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https://freight.cargo.site/t/original/i/B1693356697534708782576656825415/Kulturprofilerna Live, Snotty Seaside, kort version 2
https://freight.cargo.site/t/original/i/O1693366190930185388312881380423/Performance_Kulturprofilerna_20220629_JoseFigueroa_05.jpg
https://freight.cargo.site/t/original/i/P1693366190948632132386590932039/RAW04476.jpg
<span style="color: rgba(0, 0, 0, 0.75);"><i><span style="--font-scale: 2.06;"><br /><b></b></span></i><span style="--font-scale: 1.5;"><i>Kulturprofilerna</i> <br />
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performance, 30 min, 2021-22<br />
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<i>Kulturprofilerna</i> is a queer punk band named after Jean-Claude Arnault<span style="color: rgba(0, 0, 0, 0.75);">—</span>a central figure in Sweden’s #MeToo
scandal, known in the tabloids as the ‘Culture Profile’. The band brought together ten artists, curators, and thinkers, playing on found instruments with raw energy and no
filters. As a songwriter and front performer, I helped lead our chaotic shows—using humor and vulnerability to challenge oppressive structures. Our songs tackled themes like lesbian love, annoying pets,
and mommy issues—channeling resistance through unfiltered emotion and collective catharsis. We performed
at release parties, public institutions and art venues.<br />
<br />
Band members: Malin Arnedotter Bengtsson, Sarali Borg, Moa Cedercrona, Stella Dieden Richter, Heidi Edström, Beata Sjöstedt, Laus Østergaard, Lovisa Fahlgren, Lior Nønne Malue Hansen, Lovisa Gauffin Wohlfarth<br />Credits: Martin Ålund - initiator and sound technician</span><span style="--font-scale: 1.47;"><span style="--font-scale: 1.18;"><span style="--font-scale: 1.18;"></span></span><br />
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https://freight.cargo.site/t/original/i/F2040965557767866807514209565767/Kulturprofilerna Live, Snotty Seaside, kort version 2
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Photo 1: Supermarket, José Figueroa. Photo 2: Musikaliska, Niels Engström. Photo 3: Snotty Seaside, Sanna Albenius. Photo 4: Moderna Museet Stockholm, Albin Håkansson. Trailer: Snotty Seaside, Sanna Albenius<br />
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https://freight.cargo.site/t/original/i/U2042748134900662434212204624967/IMG_13F8454C27D8-1.JPEG
https://stelladiedenrichter.com/keep-me-wet-parted
2026-08-04T15:02:58+00:00
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https://freight.cargo.site/t/original/i/I1693383879863565805802407443527/IMG_0780.jpg
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<span style="color: rgba(0, 0, 0, 0.75); --font-scale: 1.51;"><i>Keep me wet: parted / Håll mig våt: delad</i>
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<br />120 x 80 cm, 2020 <br />mud, epoxy, tarp, cold asphalt and sand<br />
<br />I treat a piece of tarp with cold asphalt and sand, place a wet pile of mud on top, and run a car over it. As the imprint dries, the mud hardens and cracks. Finally, I apply liquid plastic to preserve the moment when the mud is separated from its whole. The
piece has been made in several versions, and this one was exhibited at Liljevalchs Vårsalong in Stockholm 2023.</span>
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https://stelladiedenrichter.com/keep-me-wet-parted-1
2026-08-04T14:56:17+00:00
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https://freight.cargo.site/t/original/i/L1693422924260518963513067420743/IMG_1273-2.jpg
https://stelladiedenrichter.com/don't-bring-an-instrument
2026-08-04T14:56:17+00:00
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https://freight.cargo.site/t/original/i/A2880611055593293030522514422855/IMG_1432.jpg
Run through of installation during <i>Sonic Commons</i>, Index, Stockholm, 2026. Photo: Tiny Karlsson Savci<br />
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<span style="color: rgba(0, 0, 0, 0.75);"><span style="--font-scale: 1.5;"><i>Don’t Bring An Instrument</i>
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2023-ongoing
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<i>Don’t Bring An Instrument </i>is a platform and series of courses developed with Aron Fogelström. The
project was initiated with a desire to approach sound beyond established tools, exploring what emerges when
the body, listening, and material itself become the instrument.<br />
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<i>Off Site</i> (Royal Institute of Art, 2024) took Stockholm’s sonic landscape and the city’s
relationship to noise as its point of departure, focusing on sounding techniques, decentralization, and socio-
political conditions. In 2025, this was followed by <i>Leakage As Resistance</i>, where we examined sound within
exhibition contexts and its capacity to renegotiate spatial and social structures. The course concluded with a
public sound experiment at R1 Reactor Hall, Stockholm.<br />
<br />
<i>Sonic Commons</i> was held at Index in dialogue with the exhibition Liberation
Radio. Together, we explored how the city’s soundscape might be translated into a speculative collective body.
Through sound’s capacity to leak across boundaries, we investigated ways of dissolving individual ownership
and opening new modes of relating to the urban environment collectively. A temporary sound installation
extended across three rooms, where microphones and speakers were arranged so that sounds captured in one
space were transmitted into another. Functioning as an open communication system, the installation allowed
voices, movements, and ambient noise to be continuously displaced and renegotiated between spaces.</span><br />
</span>
https://stelladiedenrichter.com/dn
2026-08-03T16:41:27+00:00
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https://stelladiedenrichter.com/konstguiden
2026-08-03T16:41:27+00:00
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https://stelladiedenrichter.com/svd
2026-08-03T16:41:27+00:00
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https://stelladiedenrichter.com/göteborgsposten
2026-08-03T16:41:27+00:00
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2026-08-03T16:41:27+00:00
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2026-08-03T16:41:27+00:00
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