https://stelladiedenrichter.com/mobil 2025-04-01T10:58:39+00:00 always 0.5 https://stelladiedenrichter.com/(mobil)-contact 2025-06-18T14:04:51+00:00 always 0.5 https://stelladiedenrichter.com/(mobil)-cv 2026-02-26T08:56:49+00:00 always 0.5 https://stelladiedenrichter.com/(mobil)-håll-mig-våt:-delad 2025-11-20T11:37:31+00:00 always 0.5 https://freight.cargo.site/t/original/i/I1693383879863565805802407443527/IMG_0780.jpg https://freight.cargo.site/t/original/i/C1693383879845119061728697891911/IMG_0621.jpg https://freight.cargo.site/t/original/i/L1693422924260518963513067420743/IMG_1273-2.jpg Keep me wet: parted / Håll mig våt: delad 120 x 80 cm, 2020 mud, epoxy, tarp, cold asphalt and sand I treat a piece of tarp with cold asphalt and sand, to place a wet pile of mud on top, and run over it with a car. As the imprint dries, the mud hardens and cracks. Finally, I apply liquid plastic to preserve the moment when the mud is separated from it’s whole. The piece has been made in several versions, and this one was exhibited at Liljevalchs Vårsalong in Stockholm, 2023. https://stelladiedenrichter.com/(mobil)-håll-mig-våt:-delad-(akt) 2025-11-20T10:28:14+00:00 always 0.5 https://freight.cargo.site/t/original/i/M1693447602665228909551700786247/Untitled-2.jpg https://freight.cargo.site/t/original/i/M1693447602683675653625410337863/Untitled-3.jpg https://freight.cargo.site/t/original/i/I1693455416798252253286313081927/Untitled-6-vinklad.jpg https://freight.cargo.site/t/original/i/R1693465952121174374359141563463/P2240349-copy-2.jpg Keep me wet: parted / Håll mig våt: delad performance, 30 min, 2020 This project explores the encounter between the car and the mud. I gather a pile of wet mud and drive over it; the mud gives way and the pile splits apart. The performance acts as a starting point for a further process where I perpetuate the remaining track. Performed during group exhibition Sex Cave at Galleri Konstepidemin, Gothenburg. https://stelladiedenrichter.com/(mobil)-kulturprofilerna 2025-11-20T11:47:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/B1693356697534708782576656825415/Kulturprofilerna Live, Snotty Seaside, kort version 2 https://freight.cargo.site/t/original/i/B1693363760793014605963970591815/kulturprofilerna.jpg https://freight.cargo.site/t/original/i/P1693366190948632132386590932039/RAW04476.jpg https://freight.cargo.site/t/original/i/G2657579624079321436046740536391/RAW04526.jpg https://freight.cargo.site/t/original/i/Z2657601277568491431119390358599/RAW04140.jpg https://freight.cargo.site/t/original/i/M2657601277586938175193099910215/RAW04373.jpg https://freight.cargo.site/t/original/i/Q2657601277550044687045680806983/RAW03919.jpg https://stelladiedenrichter.com/(mobil)-när-rutin-blir-ritual 2025-11-20T10:23:29+00:00 always 0.5 https://freight.cargo.site/t/original/i/C1693340284783976872461330660423/IMG_0051.jpg https://freight.cargo.site/t/original/i/J1693349940713715511652414504007/IMG_0088.jpg https://freight.cargo.site/t/original/i/K1693661441196347606153039297607/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_07.jpg Holy Fluff, Supermarket, 2022. Photo: José Figueroa and volunteer When routine becomes ritual / När rutin blir ritual performance, 45 min, 2021 This is a performance in three acts where I portray myself and a door as object and subject respectively. In the first act I lie down next to the door to perform a back somersault. Faceing down, I do a slow rise for 20 minutes; I push my body up from the floor to standing position, after which the clothes expose parts of my body. By slowing down my normal speed, hiding my face and letting my clothes expose my body, I try to steer away from the reading of me as a subject. In the second act, I smear the door surfaces and parts with Vaseline, and leave it lying on the floor. <div style="text-align: center"><a href="(mobil)-är-man-först-ren" rel="history">Previous</a> / <a href="(mobil)-kulturprofilerna" rel="history">Next</a></div> https://freight.cargo.site/t/original/i/S1693661441159454118005620194375/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_05.jpg https://freight.cargo.site/t/original/i/U1693661441122560629858201091143/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_03.jpg https://freight.cargo.site/t/original/i/H1693661441030326909489653333063/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_01.jpg https://freight.cargo.site/t/original/i/W1693661441141007373931910642759/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_04.jpg https://stelladiedenrichter.com/(mobil)-är-man-först-ren 2025-11-20T10:22:45+00:00 always 0.5 https://freight.cargo.site/t/original/i/O1693593218606615626137982057543/Är man först ren - i taxin https://freight.cargo.site/t/original/i/P1693605610206947140529280105543/Ar-man-forst-ren.jpg Är man först ren text, 2021 A poem about caressing the floor, drinking an old glass of water, skin absorbing lotion and a question whether we were first clean and then filthy or the other way around. As a contribution to the livestream Beuys, beuys, beuys, the poem was read aloud three times via phone call; from inside a taxi, a wardrobe, and a taxi again. The voice went straight into the live stream, and with a delay of a few seconds through speakers out into the recording room. Excerpt from livestream https://stelladiedenrichter.com/(mobil)-en-ansträngning,-flera-suckar 2025-11-20T10:18:13+00:00 always 0.5 https://freight.cargo.site/t/original/i/D1693324945006560753735783791687/En ansträngning, flera suckar TRAILER https://freight.cargo.site/t/original/i/E2355317692166081834249979542599/Screenshot-2024-04-08-at-17.49.30.jpg https://freight.cargo.site/t/original/i/E2355318094378889617413042977863/Skarmavbild-2022-07-27-kl.-16.42.14.jpg One effort, many sighs / En ansträngning, flera suckar video, 21 min, 2022 This project is inspired by human effort when building on unstable ground. Excavating mud creates movement, while attempts to stabilize and prevent mudslides often worsen the problems we aim to solve. The video shows a group shaping bricks using a segmented wooden frame. As the group forces mud into uniform shapes, the rigid dynamics of production emerge, revealing tensions between labor, constraints, and mud’s unpredictability. The act is repeated until all the mud is shaped. photo: Niels Engström, Caio Marques de Oliveira edit: Stella Dieden Richter participants: Johanna Bjurström, Elmer Blåvarg, Sofia Romberg, Andreas Widoff, Andrea Larsson, Stella Dieden Richter Trailer 2 min https://freight.cargo.site/t/original/i/Z2355318664807556608733507599431/4.jpg https://stelladiedenrichter.com/(mobil)-asics 2025-11-20T10:16:01+00:00 always 0.5 https://freight.cargo.site/t/original/i/J1708244943075662827792566172743/bild-5.jpg Rundgång, Royal Institute of Art, 2022. Photo: Niels Engström ASICS performance, 10 min, 2022 Running shoes make the body light and bouncy against hard surfaces. Here, the dynamic is reversed —the shoes take control, dictating the body’s movements as they wrestle and caress each other. A rubber sole drags against another, generating sluggish friction that builds tension throughout the body. The sneakers give vent to a relationship, while the body navigates a choreography balancing resistance and fluidity. Excerpt (2 min) https://freight.cargo.site/t/original/i/K1708244943112556315939985275975/bild-9.jpg https://freight.cargo.site/t/original/i/O1708244943057216083718856621127/bild-4.jpg https://freight.cargo.site/t/original/i/W1708244943038769339645147069511/bild-3.jpg https://freight.cargo.site/t/original/i/H2054012362062283696641630649415/Caios-film.mov Reclaim Pride, Hägerstens Medborgarhus, 2024. Photo: Caio Marques de Oliveira https://stelladiedenrichter.com/(mobil)-trickler 2025-11-20T10:14:33+00:00 always 0.5 https://freight.cargo.site/t/original/i/P1687215703826186198722895264839/b6.jpg ASICS - trickler performance, 30 min, 2023 A performance for Kunst på Ruinen; a one-day event taking place in the surroundings of a drained lake, before the pumps were turned on to restore the lake and water would seep back. I place myself on a ruin wall beside the lake and slowly pull my body forward. The wall shifts in levels, and with each rise, I bend to lick myself ahead. The slow movement holds the body in exertion, mirroring the ground’s gradual change and dissolution. https://freight.cargo.site/t/original/i/C2034522817790703193075398065223/trickler (trailer) ASICS - trickler performance, 30 min, 2023 A performance for Kunst på Ruinen; a one-day event taking place in the surroundings of a drained lake, before the pumps were turned on to restore the lake and water would seep back. I place myself on a ruin wall beside the lake and slowly pull my body forward. The wall shifts in levels, and with each rise, I bend to lick myself ahead. The slow movement holds the body in exertion, mirroring the ground’s gradual change and dissolution. https://stelladiedenrichter.com/(mobil)-närmre-brottet 2025-11-20T10:10:52+00:00 always 0.5 https://freight.cargo.site/t/original/i/Z1687250333529900892189952949319/image00002.jpg https://freight.cargo.site/t/original/i/V1687250333511454148116243397703/image00001.jpg https://freight.cargo.site/t/original/i/I1687250907979958091579099823175/image00008.jpg Installation view during Bachelors’ Show, Royal Institute of Art, Stockholm. Photo: Jean-Baptiste Béranger Approaching breach / Närmre brottet 4-channel sound installation,12.11 min, 2023 Approaching breach is an installation featuring reworked sounds, eight speakers, and a room. The sound is originally recorded during a performance involving wet mud. With the excerpts, I create rhythmic fragments that alternate between intimate and distant tones, in the search of something that yields, near and far. The speakers are positioned far apart, angled toward the floor and walls, allowing the sound to interact with surfaces and transform the room into an instrument for bodily listening. <audio-player label="entire sound piece" src="https://freight.cargo.site/original/i/R1687287856199595177378571467847/Narmre-brottet.mp3"></audio-player> Trailer https://freight.cargo.site/t/original/i/A1860799210293948963857200692295/Närmre brottet https://stelladiedenrichter.com/(mobil)-flute-but-not-the-master 2026-01-02T15:07:25+00:00 always 0.5 https://freight.cargo.site/t/original/i/N2032764825353157617971514162247/CARGO1-curves-25.jpg https://freight.cargo.site/t/original/i/Y2032765330757051749465809337415/CARGO2-crop.jpg Buss 501, Kraftcentralen, Norberg flute but not the master stereo channel sound installation, 02:53 min, 2024 flute but not the master is built from recordings of discarded metal tubes, blown through with my mouth. The tubes’ varying tones form a composition of tension and release, where each sound emerges, lingers, and fades. In the exhibition, the piece activated every ten minutes, with the speakers placed directly on the pipes, allowing the vibratiosn to travel from object to room and body. Created for the exhibition Buss 501, a project by Nisse Bergman with Konstfrämjandet Västmanland. <audio-player browser-default="false" label="entire sound piece" loop="false" src="https://freight.cargo.site/m/U2031549539040846141522282134599/NORBERG-5-FINAL.wav"></audio-player> <div style="text-align: center"><a href="(mobil)-discipline" rel="history">Previous</a> / <a href="(mobil)-trickler" rel="history">Next</a></div> https://freight.cargo.site/t/original/i/S2032765611368922598735508520007/CARGO3-crop.jpg https://stelladiedenrichter.com/(mobil)-discipline 2025-11-20T09:20:05+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2286171713120368097587663060039/_DSC0009-kopiera.jpg Lyssningsrummet, Stockholm. Photo: Mari Mattsson Discipline 17.4 sound piece, 12:22 min, 2025 Discipline combines processed field recordings from areas affected by land and mudslides with electroacoustic elements, exploring landscape transformation through sound. The piece moves through sine tones, machine noise, and scraping textures, gradually dissolving into a weave of water, hums, and resonant tones. The piece was created for Traversées Sonores, a surround sound concert that I co-organized in Lyssningsrummet, Stockholm. The project translates to ‘Sonic Crossings’, and is an ongoing initiative to provide a platform for emerging artists working with sound. The concert was realized with the generous support of Royal Institute of Art, Stockholm and Institut Français de Suéde. Other participating artists were Ash, Mari Mattsson and tm. <audio-player browser-default="false" label="trailer 3 min" loop="false" src="https://freight.cargo.site/m/A2329589861206240311269150538823/ONLY-AUDIO-disicpline.mp3"></audio-player> <audio-player browser-default="false" label="entire 12:22 min" loop="false" src="https://freight.cargo.site/m/U2286223797410026496138103077959/discipline-binaural.wav"></audio-player> <div style="text-align: center"> <a href="(mobil)-flute-but-not-the-master" rel="history">Next</a></div> https://stelladiedenrichter.com/homepage-mobile 2025-04-01T10:58:39+00:00 always 0.5 https://freight.cargo.site/t/original/i/H1707592064915146631410879937607/P2240349-copy-2.jpg https://freight.cargo.site/t/original/i/L1709740953857749399864083856455/bild-6.jpg https://stelladiedenrichter.com/(mobil)-header-menu 2026-01-02T20:35:59+00:00 always 0.5 https://stelladiedenrichter.com/(mobil)-nav-bar 2026-01-02T20:35:59+00:00 always 0.5 https://stelladiedenrichter.com/image-nav-—-mobile 2025-04-01T10:58:39+00:00 always 0.5 https://stelladiedenrichter.com/dator 2026-01-02T20:47:07+00:00 always 0.5 https://stelladiedenrichter.com/homepage-—-desktop 2025-04-01T10:58:39+00:00 always 0.5 https://freight.cargo.site/t/original/i/B1660074346294555326308989385799/b4.jpg https://freight.cargo.site/t/original/i/T1709637822077683265608552397895/bild-6.jpg https://stelladiedenrichter.com/left-nav-—-desktop 2026-01-02T21:09:39+00:00 always 0.5 https://stelladiedenrichter.com/cv 2026-02-26T08:56:21+00:00 always 0.5 https://stelladiedenrichter.com 2026-04-09T10:26:04+00:00 always 0.5 https://stelladiedenrichter.com/untitled-set 2026-04-09T09:38:39+00:00 always 0.5 https://stelladiedenrichter.com/right-nav-—-desktop 2026-04-09T12:00:00+00:00 always 0.5 https://stelladiedenrichter.com/rubber's-sole 2026-04-09T12:16:34+00:00 always 0.5 https://freight.cargo.site/t/original/i/M2880609720583977672088554421319/IMG_1487.jpg https://freight.cargo.site/t/original/i/Z2880653337873446470175931350087/_31A6412-lite-morkare.jpg https://freight.cargo.site/t/original/i/Y2880779577871366996313062620231/_31A6383-mindre-och-morkare.jpg Body, Konsthall C, Stockholm, 2025 Rubber’s Sole 3-channel sound installation, 12:44 min (loop), 2025. Equipment: speakers, stands, wooden beams (180 cm high), speaker textile Rubber’s Sole explores bodily hierarchies and how they can be unsettled. The title refers to the rubber sole–the point where weight meets the ground and grip emerges. In the encounter with the sounds, this grip shifts. Three speakers are placed in the space; two on stands, one on the floor. The work is based on recordings of wet mud being pressed, released, and dropped. Thuds and sticky releases travel move between the standing speakers in an irregular pulse; at times isolated, at times clustered. The field thickens and thins, while the floor speaker occassionally recieves impacts, and carries a constant crackle. The work remains porous. Gradually, traces from the moment of recording leak through–murmurs, a vibrating phone. The distances between the speakers form intervalls and shape the listening; close to the pulse, by the crackle, or inbetween. At the end of the loop, all speakers emit a crackling sound–clearing the field before it begins again. The piece was created for the show <a href="https://www.queercohesion.org/exhibitions/3-body" target="_blank">Body</a> at Konsthall C, curated by Queer Cohesion. https://freight.cargo.site/t/original/i/G2880780705797533383283596180551/_31A6470.jpg https://freight.cargo.site/t/original/i/B2880782856245170520048285367367/_31A6542.jpg https://freight.cargo.site/t/original/i/L2880806673482080129030211091527/Rubber's Sole (trailer + hela) https://stelladiedenrichter.com/don't-bring-an-instrument 2026-04-09T12:49:02+00:00 always 0.5 https://freight.cargo.site/t/original/i/A2880611055593293030522514422855/IMG_1432.jpg Sonic Commons, Index, Stockholm, 2026. Photo: Tiny Carlsson Don’t Bring An Instrument Experimental sound project, 2023-ongoing Don’t Bring An Instrument is a collective project and a series of courses initiated together with Aron Fogelström. The project stems from a desire to approach sound beyond established tools, and explore what emerges when the body, listening, and material itself become the instrument. The first course, Off Site, took place in the regime of Royal Institute of Art in Stockholm, 2024. Together we investigated Stockholm’s sonic landscape and the city’s relation to noise–focusing on sound, decentralization, and socio-political conditions. We visited venues like Fylkingen, invited artists to take us on a walk through residential areas where eviction of cultural spaces has increased, facilitated workshops on visceral sounds. In 2025, <a href="https://www.kth.se/navet/for-students/student-led-activities/don-t-bring-an-instrument-leakage-as-resistance-1.1395997" target="_blank">Leakage As Resistance</a> followed, where we examined sound within exhibition contexts and its capacity to renegotiate spatial structures. Here, we worked more hands on with sound’s elusive and sculptural qualities. The course ended with a public sound experiment in R1, the Reactor Hall in Stockholm at KTH, Stockholm. In 2026, we led the workshop <a href="https://indexfoundation.se/talks-and-events/dont-bring-an-instrument-sonic-commons" target="_blank">Sonic Commons</a> at Index in dialogue with their exhibition <a href="" target="_blank">Liberation Radio</a>. A temporary sound installation extended across three rooms, where microphones and speakers were arranged so that sounds captured in one space were transmitted into another. The installation functioned as an open communication system, drawing on the leaking properties of sound, where voices, movements, and ambient noise were continously displaced and renegotiated between rooms. https://stelladiedenrichter.com/discipline 2026-04-09T10:05:06+00:00 always 0.5 https://freight.cargo.site/t/original/i/S2286171713120368097587663060039/_DSC0009-kopiera.jpg Traversées Sonores, Lyssningsrummet, Stockholm, 2025. Photo: Mari Mattsson Discipline 17.4 sound piece, 12:22 min, 2025 Discipline combines processed field recordings from areas affected by land and mudslides with electroacoustic elements, exploring landscape transformation through sound. The piece moves through sine tones, machine noise, and scraping textures, gradually dissolving into a weave of water, hums, and resonant tones. The piece was created for Traversées Sonores, a surround sound concert co-organized in Lyssningsrummet, Stockholm. The project translates to ‘Sonic Crossings’, and is an ongoing initiative to provide a platform for emerging artists working with sound. The concert was realized with the generous support of Royal Institute of Art, Stockholm and Institut Français de Suéde. Other participating artists were Ash, Mari Mattsson and tm. <audio-player browser-default="false" label="trailer 3 min" loop="false" src="https://freight.cargo.site/m/A2329589861206240311269150538823/ONLY-AUDIO-disicpline.mp3"></audio-player> <audio-player browser-default="false" label="entire 12:22 min" loop="false" src="https://freight.cargo.site/m/U2286223797410026496138103077959/discipline-binaural.wav"></audio-player> https://stelladiedenrichter.com/flute-but-not-the-master 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/B2032729093493378008506166524999/CARGO1-curves-25.jpg https://freight.cargo.site/t/original/i/H2032754789881659662206405819463/CARGO2-crop.jpg https://freight.cargo.site/t/original/i/O2032762691673610844208807394375/CARGO3-crop.jpg Buss 501, Kraftcentralen, Norberg flute but not the master stereo channel sound installation, 02:53 min, 2024 flute but not the master is built from recordings of discarded metal tubes, blown through with my mouth. The tubes’ varying tones form a composition of tension and release, where each sound emerges, lingers, and fades. In the exhibition, the piece activated every ten minutes, with the speakers placed directly on the pipes, allowing the vibratiosn to travel from object to room and body. Created for the exhibition Buss 501, a project by Nisse Bergman with Konstfrämjandet Västmanland. <audio-player browser-default="false" label="entire 02:53 min" loop="false" src="https://freight.cargo.site/m/U2031549539040846141522282134599/NORBERG-5-FINAL.wav"></audio-player> https://stelladiedenrichter.com/närmre-brottet 2026-04-09T12:46:08+00:00 always 0.5 https://freight.cargo.site/t/original/i/Z1687250333529900892189952949319/image00002.jpg https://freight.cargo.site/t/original/i/Z1787212249591685028258002615367/Närmre brottet https://freight.cargo.site/t/original/i/X2355228572643494554212112907335/Untitled.jpg Installation view, Bachelors’ Show, Royal Institute of Art, Stockholm, 2023. Photo: Jean-Baptiste Béranger Approaching breach / Närmre brottet 8-channel sound installation,12.11 min, 2023: Equipment: speakers, cales, rubber cylinders Approaching breach was presented in a passage at the Royal Insititute of Art in Stockholm. The material stems from a sound recording of a performance in which a group of participants shaped bricks. During the act, the sounds of hands in wet mud merge with nearby construction work; drilling, the stickiness of mud, and the squeaking shoes coincide in the recordings. The recordings are cut into fragments, extracted, and formed into rhythmic sequences. Construction work and mud is looped into a wet rumble, through which squeals break. From this point, the composition thins out; from dense masses to dispersed movements and a crackling strand. The processed material is distributed through speakers placed at intervals and facing floor and walls. The rumble strikes the walls, while scraping and squeaking move along the floor. The passage is activated as a space for indirect, bodily listening. <audio-player label="entire piece" src="https://freight.cargo.site/original/i/R1687287856199595177378571467847/Narmre-brottet.mp3"></audio-player> Trailer https://stelladiedenrichter.com/trickler 2026-04-09T09:38:39+00:00 always 0.5 https://freight.cargo.site/t/original/i/X1660122196078771372610727296071/b4.jpg trailer (1 min) ASICS - trickler performance, 30 min, 2023 A performance for Kunst på Ruinen; a one-day event taking place in the surroundings of a drained lake, before the pumps were turned on to restore the lake and water would seep back. I place myself on a ruin wall beside the lake and slowly pull my body forward. The wall shifts in levels, and with each rise, I bend to lick myself ahead. The slow movement holds the body in exertion, mirroring the ground’s gradual change and dissolution. https://freight.cargo.site/t/original/i/E2329672601973854111060035222599/ASICS - trickler trailer (1 min) ASICS - trickler performance, 30 min, 2023 A performance for Kunst på Ruinen; a one-day event taking place in the surroundings of a drained lake, before the pumps were turned on to restore the lake and water would seep back. I place myself on a ruin wall beside the lake and slowly pull my body forward. The wall shifts in levels, and with each rise, I bend to lick myself ahead. The slow movement holds the body in exertion, mirroring the ground’s gradual change and dissolution. https://stelladiedenrichter.com/asics 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/H1708244597863294232392017230919/bild-1-1.jpg https://freight.cargo.site/t/original/i/J1708244943075662827792566172743/bild-5.jpg Rundgång, Royal Institute of Art, 2022. Photo: Niels Engström ASICS performance, 10 min, 2022 Running shoes make the body light and bouncy against hard surfaces. Here, the dynamic is reversed —the shoes take control, dictating the body’s movements as they wrestle and caress each other. A rubber sole drags against another, generating sluggish friction that builds tension. The sneakers give vent to a relationship, while the body navigates a choreography balancing resistance and fluidity. Excerpt (2 min) https://freight.cargo.site/t/original/i/T1708244943020322595571437517895/bild-2.jpg https://freight.cargo.site/t/original/i/O1708244943057216083718856621127/bild-4.jpg https://freight.cargo.site/t/original/i/W1708244943038769339645147069511/bild-3.jpg https://stelladiedenrichter.com/en-ansträngning,-flera-suckar 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/W1693309217054309091940142267463/Skarmavbild-2022-07-27-kl.-16.41.43.jpg https://freight.cargo.site/t/original/i/Q1693316584979040036714410523719/_MG_0432.jpg Installation view during Non-nowledge, laughter and the moving image, ICAT, Hamburg, 2022 https://freight.cargo.site/t/original/i/D1693324945006560753735783791687/En ansträngning, flera suckar TRAILER https://freight.cargo.site/t/original/i/B1709301837176301904198939032647/_MG_0407.jpg https://freight.cargo.site/t/original/i/E2355317692166081834249979542599/Screenshot-2024-04-08-at-17.49.30.jpg https://freight.cargo.site/t/original/i/E2355318094378889617413042977863/Skarmavbild-2022-07-27-kl.-16.42.14.jpg Stills from video One effort, many sighs / En ansträngning, flera suckar video, 21 min, 2022 This project is inspired by human effort when building on unstable ground. Excavating mud creates movement, while attempts to stabilize and prevent mudslides often worsen the problems we aim to solve. The video shows a group shaping bricks using a segmented wooden frame. As the group forces mud into uniform shapes, the rigid dynamics of production emerge, revealing tensions between labor, constraints, and mud’s unpredictability. The act is repeated until all the mud is shaped. photo: Niels Engström, Caio Marques de Oliveira edit: Stella Dieden Richter participants: Johanna Bjurström, Elmer Blåvarg, Sofia Romberg, Andreas Widoff, Andrea Larsson, Stella Dieden Richter Trailer https://freight.cargo.site/t/original/i/Z2355318664807556608733507599431/4.jpg https://stelladiedenrichter.com/när-rutin-blir-ritual 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/C1693340284783976872461330660423/IMG_0051.jpg https://freight.cargo.site/t/original/i/L1693340284765530128387621108807/IMG_0008.jpg https://freight.cargo.site/t/original/i/J1693349940713715511652414504007/IMG_0088.jpg https://freight.cargo.site/t/original/i/K1693661441196347606153039297607/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_07.jpg Holy Fluff, Supermarket, 2022. Photo: José Figueroa and volunteer When routine becomes ritual / När rutin blir ritual performance, 45 min, 2021 This is a performance in three acts where I portray myself and a door as object and subject respectively. In the first act I lie down next to the door to perform a back somersault. Faceing down, I do a slow rise for 20 minutes; I push my body up from the floor to standing position, after which the clothes expose parts of my body. By slowing down my normal speed, hiding my face and letting my clothes expose my body, I try to steer away from the reading of me as a subject. In the second act, I smear the door surfaces and parts with Vaseline, and the third act is the smeared door lying on the floor. https://freight.cargo.site/t/original/i/S1693661441159454118005620194375/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_05.jpg https://freight.cargo.site/t/original/i/U1693661441122560629858201091143/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_03.jpg https://freight.cargo.site/t/original/i/H1693661441030326909489653333063/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_01.jpg https://freight.cargo.site/t/original/i/W1693661441141007373931910642759/Aerformance_WhenRoutimeBecomesRituals_20220629_JoseFigueroa_04.jpg https://stelladiedenrichter.com/är-man-först-ren 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/O1693593218606615626137982057543/Är man först ren - i taxin excerpt from livestream 1 min https://freight.cargo.site/t/original/i/P1693605610206947140529280105543/Ar-man-forst-ren.jpg https://stelladiedenrichter.com/kulturprofilerna 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/B1693356697534708782576656825415/Kulturprofilerna Live, Snotty Seaside, kort version 2 https://freight.cargo.site/t/original/i/O1693366190930185388312881380423/Performance_Kulturprofilerna_20220629_JoseFigueroa_05.jpg https://freight.cargo.site/t/original/i/P1693366190948632132386590932039/RAW04476.jpg Kulturprofilerna performance, 30 min, 2021-22 Kulturprofilerna is a queer punk band named after Jean-Claude Arnault—a central figure in Sweden’s #MeToo scandal, known in the tabloids as the ‘Culture Profile’. The band brought together ten artists, curators, and thinkers, playing on found instruments with raw energy and no filters. As a songwriter and front performer, I helped lead our chaotic shows—using humor and vulnerability to challenge oppressive structures. Our songs tackled themes like lesbian love, annoying pets, and mommy issues—channeling resistance through unfiltered emotion and collective catharsis. We performed at release parties, public institutions and art venues. Band members: Malin Arnedotter Bengtsson, Sarali Borg, Moa Cedercrona, Stella Dieden Richter, Heidi Edström, Beata Sjöstedt, Laus Østergaard, Lovisa Fahlgren, Lior Nønne Malue Hansen, Lovisa Gauffin Wohlfarth Credits: Martin Ålund - initiator and sound technician Setlist Vilda Vulvan Port Salut Alkoholtårta Boy Lorte kat Kulturmannen Kokosmjölk Supermakter Yoga Franska låten (cover of Poupée de cire, poupée de son) Trailer https://freight.cargo.site/t/original/i/F2040965557767866807514209565767/Kulturprofilerna Live, Snotty Seaside, kort version 2 Photo 1: Supermarket, José Figueroa. Photo 2: Musikaliska, Niels Engström. Photo 3: Snotty Seaside, Sanna Albenius. Photo 4: Moderna Museet Stockholm, Albin Håkansson. Trailer: Snotty Seaside, Sanna Albenius https://freight.cargo.site/t/original/i/P2042748134974449410507042831431/IMG_976C45F97588-1.JPEG https://freight.cargo.site/t/original/i/U2042748134900662434212204624967/IMG_13F8454C27D8-1.JPEG https://stelladiedenrichter.com/håll-mig-våt:-delad-(akt) 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/M1693447602665228909551700786247/Untitled-2.jpg https://freight.cargo.site/t/original/i/M1693447602683675653625410337863/Untitled-3.jpg https://freight.cargo.site/t/original/i/I1693455416798252253286313081927/Untitled-6-vinklad.jpg https://freight.cargo.site/t/original/i/R1693465952121174374359141563463/P2240349-copy-2.jpg Sex Cave, Galleri Konstepidemin, 2020 Keep me wet: parted / Håll mig våt: delad performance, 30 min, 2020 In this project, I explore the encounter between the car and the mud. The process begins with me gathering a pile of wet mud and driving over it, capturing the moment when the mud gives way and the pile splits apart. The performance acts as a starting point for a further process where I perpetuate the remaining track. Performed during group exhibition Sex Cave at Galleri Konstepidemin, Gothenburg. https://stelladiedenrichter.com/håll-mig-våt:-delad 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/I1693383879863565805802407443527/IMG_0780.jpg https://freight.cargo.site/t/original/i/C1693383879845119061728697891911/IMG_0621.jpg https://freight.cargo.site/t/original/i/L1693422924260518963513067420743/IMG_1273-2.jpg Keep me wet: parted / Håll mig våt: delad 120 x 80 cm, 2020 mud, epoxy, tarp, cold asphalt and sand I treat a piece of tarp with cold asphalt and sand, to place a wet pile of mud on top, and run over it with a car. As the imprint dries, the mud hardens and cracks. Finally, I apply liquid plastic to preserve the moment when the mud is separated from it’s whole. The piece has been made in several editions, and this one was exhibited at Liljevalchs Vårsalong in Stockholm, 2023. https://stelladiedenrichter.com/dn 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/I1685718402823478879184208903239/DN-3.jpg https://freight.cargo.site/t/original/i/O1685718402749691902889370696775/DN-1.jpg https://freight.cargo.site/t/original/i/D1685718402841925623257918454855/DN-4.jpg https://freight.cargo.site/t/original/i/B1685718402878819111405337558087/DN-6.jpg https://freight.cargo.site/t/original/i/X1685718402805032135110499351623/DN-2.jpg https://freight.cargo.site/t/original/i/X1685718402860372367331628006471/DN-5.jpg https://stelladiedenrichter.com/konstguiden 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/F1685687551713926756234285136967/KG-2.jpg https://freight.cargo.site/t/original/i/H1685687551824607220676542446663/KG-8.jpg https://freight.cargo.site/t/original/i/T1685687551843053964750251998279/KG-9.jpg https://freight.cargo.site/t/original/i/F1685687551732373500307994688583/KG-3.jpg https://freight.cargo.site/t/original/i/K1685687551750820244381704240199/KG-4.jpg https://freight.cargo.site/t/original/i/H1685687551806160476602832895047/KG-7.jpg https://freight.cargo.site/t/original/i/D1685687551787713732529123343431/KG-6.jpg https://freight.cargo.site/t/original/i/P1685687551695480012160575585351/KG-1.jpg https://freight.cargo.site/t/original/i/P1685687551769266988455413791815/KG-5.jpg https://stelladiedenrichter.com/svd 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/A1685657645963114922751462587463/SvD-4.jpg https://freight.cargo.site/t/original/i/F1685657645889327946456624380999/Svd-1.jpg https://freight.cargo.site/t/original/i/M1685657646018455154972591242311/SvD-7.jpg https://freight.cargo.site/t/original/i/Y1685657645981561666825172139079/SvD-5.jpg https://freight.cargo.site/t/original/i/S1685657645944668178677753035847/SvD-3.jpg https://freight.cargo.site/t/original/i/S1685657645926221434604043484231/SvD-2.jpg https://freight.cargo.site/t/original/i/X1685657646000008410898881690695/SvD-6.jpg https://stelladiedenrichter.com/göteborgsposten 2026-04-09T09:38:40+00:00 always 0.5 https://freight.cargo.site/t/original/i/X1685641185269295165065011772487/GP-3.jpg https://freight.cargo.site/t/original/i/E1685641185177061444696464014407/GP-1.jpg https://freight.cargo.site/t/original/i/Y1685641185250848420991302220871/GP-2.jpg https://stelladiedenrichter.com/pages 2026-04-09T09:38:39+00:00 always 0.5 https://stelladiedenrichter.com/page-nav 2026-04-09T09:38:39+00:00 always 0.5 https://stelladiedenrichter.com/right-image-nav 2026-04-09T09:38:39+00:00 always 0.5